Graphic

Discover 745 award-winning designs tagged Graphic on Graphic Design News.

Designer: Takuma Tahara Project: Key Visual Tag: Graphic

Sawamura Award 2024

Sawamura Award 2024 is a key visual created for a company event for new employees, held at a traditional Kabuki theatre in Kyoto, Japan. The theme of the event was tradition and innovation. The letters of the word KABUKU were drawn with varied typography, so each letter works as both a letter and an illustration. Traditional Japanese colours and patterns taken from the theatre were combined with a fresh colour scheme. The key visual was applied to certificates, invitations shaped like show tickets, seals and publicity, giving the event a unified look.

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Designer: Kiyoka Yamazuki Project: Information Magazine Tag: Graphic

Aisanka

She was asked to create a cover illustration with the theme of Aichi Prefecture Festivals in order to spread the appeal of Aichi Prefecture (history, culture, industry, etc.) to the whole of Japan and the world. She observed festivals unique to Aichi through video and documents, captured their characteristics, and expressed the fun and uniqueness of the festivals in her own way through illustrations.

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Designer: Botond Vörös Project: Brand Identity Tag: Graphic

Arrival Training

Arrival is an online training planner and tracking service for amateur runners. The logotype visually hints at the duality of the wordplay between Arrival and A Rival, through the positive-negative trick of the R letter. The slanted typography adds dynamism and movement to the design. The unique angle of the logotype is reflected across the visual identity, determining the illustration style, the structure of icons, and the layout arrangements.

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Designer: Katsumi Tamura Project: Calendar Tag: Graphic

Typeface

Typeface is a calendar designed around the concept of the typeface. The set contains four sheets. The months from January to December are punched out in an original typeface. Each sheet can be assembled into a three-dimensional unit that displays three months of the year. Assembly is simple and needs no glue or scissors. The sheets are made of pure white cardboard, and the number of fastening points is kept to a minimum. Each sheet measures 140 by 185 millimeters. The calendar can also be displayed as part of a room interior.

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Designer: Andrei Zhukov Project: Corporate Identity Tag: Graphic

Cyber Mind

Cyber Mind's identity is built on the interplay between human cognition and digital innovation. Inspired by the structure of neural connections and atomic bonds, the design conveys intelligence, precision, and seamless integration. The visual system balances geometric accuracy with fluidity, creating a dynamic yet structured aesthetic. This approach ensures clarity, adaptability, and a strong visual presence across various media, reinforcing Cyber Mind's role as a forward-thinking technology brand.

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Designer: Ying Gao Project: Brand Identity Tag: Graphic

Tiantai Huangcha

Tiantai Huangcha is a brand identity and packaging design created for a regional yellow tea. The logo combines dot and leaf shapes in a simple graphic language. One circle symbolizes the essence of tea. Two circles express the interaction between people and nature. Three circles represent friends seated around a table to share tea. A tea lotus graphic below echoes the three dots and completes the mark. The packaging uses matte ceramic with metal handles, and the tea canister form follows the shape of the logo.

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Designer: Yutong Wang Project: Visual Identity Tag: Graphic

HarvardXR 2024

Extended Intelligence uses generative design to create a dynamic visual identity reflecting AI and XR. With procedural generation in C4D, randomized pixel matrices integrate AI and XR, reinforcing the conference's themes. This scalable system adapts across digital screens, signage, and print materials. A structured color palette differentiates participant identities, ensuring clarity. By leveraging generative techniques, the identity embodies innovation and future focused design.

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Designer: Kiyoka Yamazuki Project: Information Magazine Tag: Graphic

Bon Vivant

Bon Vivant is an information magazine distributed free of charge at credit union branches across Japan. Each bimonthly issue introduces local people, industries, regional products and tourist sites, connecting readers with the towns around them. The magazine measures 21 by 15 centimetres and contains about 15 pages. The cover illustration is hand drawn with brushes and acrylic paints on illustration board, using compasses, rulers and ruling pens, and is then refined in image editing software. Warm colours invite readers to take a copy home.

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Designer: Guanglong Chen Project: Font Design Tag: Graphic

Chinese Zodiac

The fusion of the twelve Chinese zodiac signs and the art of seal script. The twelve Chinese zodiac signs are Chinese culture. They are the zodiac signs of the year a person is born in. They have rich historical legends and image philosophy of cultural significance. Seal script is a style of ancient calligraphy fonts. The author combines historical culture, image philosophy, and seal script style into new graphic designs. They show not only graphic design, but also a manifestation of culture. The author wants to let the world know about China's history and culture through them.

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Designer: Qian Wenwen Project: Visual Identity Tag: Graphic

Henry Moore Exhibition

The visual design for the Henry Moore exhibition showcases a comprehensive approach, featuring traditional materials such as posters and tickets. Additionally, a unique collection of cultural and creative products has been designed exclusively for the exhibition. This collection includes children's pencils and drawing books inspired by Henry Moore's iconic sculptures. By transforming his sculptural works into engaging drawing books, the designs aim to spark creativity and imagination in children, making art more accessible and interactive for younger audiences.

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Designer: Hangzhou Re&Der Design Co., Ltd. Project: Visual Upgrade Design Tag: Graphic

Parzin Brand

Parzin Brand is a visual identity designed for an eyewear brand. The logo is based on a dual circle structure inspired by round glasses and the initial letter P. The left circle tilts slightly to add depth, while the right circle forms the curve of the P, creating a three-dimensional effect that recalls the side view of sunglasses and optical glasses. Warm earth gray serves as the main tone and high saturation forest green as the signature hue. The circular and oval forms are applied across touchpoints through laser engraving, hot stamping, embossing and etching.

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Designer: Zhenhao Ou Project: Event Branding Tag: Graphic

Asia Design Week 2025

Adw Works Exhibition is an event branding program created for Asia Design Week as a featured section of the Hebei International Industrial Design Week in Xiong'an, China. The identity layers color blocks, typography and graphic overlays to form high saturation complementary fields that stand for cultural diversity, while transitional gradient zones suggest integration. The geometric composition balances rational structure and emotional expression. Applications include banners of 3 by 5 meters, posters of 70 by 100 centimeters and several work passes.

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