Graphic Design News

Graphic Design News

Graphic Design News featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

To Beauty

To Beauty is a skincare brand identity and packaging design inspired by the cosmos and by meditative experience. The identity uses a gray color palette and an organic symbol that expresses the pulse of life. The facial cleanser has a specially structured screw nozzle that releases dense foam with a single push, which keeps its elasticity and reduces skin irritation from friction. The eyelash serum uses an airless container that is hygienic and free of preservatives. The caps join a hard exterior and a soft interior, with a grained surface and an engraved symbol.

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Stacked Glyphs

In Chinese culture, a special type of character called Stacked Character refers to the character formed by overlapped glyphs. Most of these superimposed characters are uncommon and are gradually replaced by commonly used characters nowadays. So that Stack Glyphs constructed the characters using graphical symbols, collected these lost chinese characters.

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Big Dream

This visual design pays tribute to Asian Pacific American Heritage Month with a blend of traditional and modern styles that captures the essence of classic Chinese art. Nuanced brushstrokes showcase the beauty and depth of this art form. The study exhibits a balance of sophistication and cultural significance that is synonymous with Chinese calligraphy, highlighting its relevance to Asian culture. The design language is timeless, merging art and design to connect to the beauty of the past while forging a path towards the future, in celebration of the Asian Pacific American culture.

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Master Ji Gong

Master Ji Gong is a trailer poster for a Chinese animated fantasy adventure film of the same name. The poster measures 750 by 1050 millimetres. Chinese ink and traditional Chinese elements are used to create a poetic and mysterious eastern atmosphere. The dragon and the monk, shown with a red kasaya, a patchwork outer vestment and a palm-leaf fan, are figures from the film and were rendered with three-dimensional software. The ink was made with water and tested on rice paper, hard paper and cloth to compare textures. All parts were then combined digitally.

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Virtual and Reality

Virtual and Reality is a visual image design exhibition that interprets the process of design creation. The title joins two opposite words to reflect the conflict between abstraction and reality. Font strokes are dismantled, and the tools used in design form the structure of the letters. The series includes posters, cards, notebooks, stationery, direct mail and packaging. All items are printed in two special colors, and the applied methods include embossing, local glazing and origami folding. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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Animated Koopmans Logo System

Koopmans asked Rebrandt to communicate the breadth of the range more clearly. The word "print shop" no longer represents what they do. This new ID is therefore not only an aesthetically appealing design language but also a strategic marketing instrument that communicates the wide range of products they can offer. Ruud Winder, head of design Rebrandt, wanted the dynamic working attitude of the organization to be reflected in the designs. The movement contrasts with the supposed stillness of a print company, precisely that breadth had to be emphasized.

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